People
keep asking at our local, ‘How was your year?’ I put them off, then go check the
list, the one that’s going to remind me how my year was.
It’s not
exactly Big Bang science but somehow the list of books I have read in a given
year tells me a lot about the year itself. So, perusing the list for 2014 (yes
I’m a bit obsessive compulsive) I am reminded that I have indeed had a good
year, in reading, and in real life. And, as they say, the line between is,
well, pretty much non-existent.
There
were, of course, Questions of Travel (Elizabeth Bishop) in 2014 as I was
without a passport while Her Majesty (the Queen, that is) poured over my
39-page documentation to gain leave to remain one of The Lonely Londoners (Sam
Selvon). It was refused first time and I was told I could get out, appeal or
re-apply. Thanks to a smart lawyer I re-applied and here I remain Where the Air
is Sweet (Tasneem Jamal), instead of joining the queue of The Emigrants (W. G.
Sebald) headed out on some Journey by Moonlight (Anton Szerb). Of course, we
did take some trips to new places: Japan (see Murakami), New Zealand (see
Marshall), Hong Kong (see the money) and Portugal (see the sun shine). I had,
as always, Cuba in Mind (Marian Finn Dominguez), and managed to get there with the
good bookish Rev. MacKinnon, where he had to listen to All My Puny Sorrows
(Miriam Toews). It looks like we better get back on our jet skis again soon or
it will go all capitalism now that The Honorary Gentleman (Sebastian Barry) President
Obama has begun to unveil The Lie (Helen Dunmore) of U.S. foreign policy.
However, The Thing About December (Donal Ryan) promises is that they can take
Light Years (James Salter) to become reality and in the meantime a lot of
Unspeakable Things (Laurie Penny) can happen. Time will tell if it takes us
From Conflict to Communion (Lutheran-Roman Catholic Commission on Unity). But
as for me, I will always be Red or Dead (David Peace). I got to Canada too to
see the darlings and spent a few hours in Switzerland working, but compared to
Mrs. H.’s travels mine were World Light (Haldor Laxness). I kept searching my
atlas for Boyhood Island (Karl Ove Knausgaard) but think perhaps they’ve been
Burning Boats (Owen Marshall) and I’ll never find the place. I’d likely get
lost and have to make up some South Sea Tales (Robert Louis Stevenson) or poems like Always Dalkey, Always the Sea (Bernie Kenny). Anyways,
I’m like The Railway Man (Eric Lomax), more of a landlubber.
I did
enhance my position in 2014 as A Man in Love (Karl Ove Knausgaard) with Mrs.
H., of course, but also with football. I am firmly one of The Charlton Men
(Paul Breen) keeping alive The Fight for The Valley (Rick Everitt), though as I
look at the Championship table (that would be the standings for North
Americans) just now I fear we may be Falling out of Time (David Grossman), The
Pity (Judith Palmer), but the worst that can be said for the Athletics is that
they are Beautiful Losers (Leonard Cohen).
I took
courses: on Romantics and Victorians (Watson and Towheed), On Poetry (Glyn
Maxwell) on The Twentieth Century (Haslam and Asbee), on Reputations (Elaine
Moohan) and on How to Preside at Holy Communion (Charles Read). There’s a story
there if you want to ask me. We didn’t get marks but I think the instructor
would have given me The Sign of Four (Arthur Conan Doyle), or less. I kept up
with Facebook, otherwise I would have no idea how The Children Act (Ian
McEwan). I read the papers (red tops excluded) to catch up on the latest Crime
and Punishment (Fyodor Dostoevsky). I made some new friends like Colorless
Tskuru Tazaki (Hiruki Mirakami), Doctor Faustus (Christopher Marlowe), Lila
(Marilynne Robinson), The World’s Wife (Carol Ann Duffy), The Prince of Tides
(Pat Conroy), the Saints of the Shadow Bible (Ian Rankin), The Immortal Life of
Henrietta Lacks (Rebecca Skloot), Dubliners (James Joyce), Casanova in Venice
(Kildare Dobbs), Mendelssohn is on the Roof (Jiri Weil), and caught up with old
friend, Updike (Adam Begley), and new animals, The Faber Book of Beasts (Paul
Muldoon).
I wrote a
bit for profit and scratched some lines of poetry for loss and to Rattle the
Hatches (Young Foyle Poets), climbed Wuthering Heights (Emily Brontë), felt The
Spinning Heart (Donal Ryan) while Dancing at Lughnasa (Brian Friel) and living
with Mrs. H. in The House of Mirth (Edith Wharton). Fortunately, this year there wasn’t A
Death in the Family (Karl Ove Knausgaard) except on the page though we were
reminded of the deaths of millions through the Poetry of the First World War
(Marcus Clapham) at the centenary of its bloody beginnings.
I read
alone or with Mrs. H., but also shared books with our brilliant book group,
whose Anglo American Mr. Warren loans me pamphlets I can’t understand, makes me
feel like I’m in The Grass Arena (John Healy), whatever that is, then in the
pub he goes all witty, making Remarks on Frazer’s Golden Bough (Ludwig
Wittgenstein), when all I want is to sit in my favourite corner with A Book of
Silence (Sara Maitland).
All that
aside, you must read 1) Lila by Marilynne Robinson – powerful, beautiful, best
fiction in English that I know of. Set aside time for 2) Karl Ove Knausgaard’s
three-volume tome My Struggle, all of which I read in 2014, it matters not
whether you call it fiction or memoir, it’s just bloody good. Go find Sara
Maitland’s 3) A Book of Silence too, if you are open to the contemplative and
prepared to be surprised.
For fellow
(or sister OCDs), the full list is below.
Read well
in 2015.
*
The
Immortal Life Of Henrietta Lacks, Rebecca Skloot (9 January)
*
Wuthering
Heights, Emily Brontë (28 January)
*
The
Sign of Four, Arthur Conan Doyle (5 February)
*
The
Prince of Tides, Pat Conroy, (20 February)
*
The
Spinning Heart, Donal Ryan (22 February)
*
The
Grass Arena, John Healy (24 February)
*
Saints
of the Shadow Bible, Ian Rankin (26 February)
*
Dubliners,
James Joyce (10 March)
*
South
Sea Tales, Robert Louis Stevenson, (15 March)
* Romantics
and Victorians, Nicola J. Watson and Shafquat Towheed (17 March)
*
The
Thing About December, Donal Ryan (23 March)
*
On
Poetry, Glyn Maxwell (27 March)
*
Cuba
In Mind, Maria Finn Dominguez (30 March)
*
The
Lonely Londoners, Sam Selvon (7 April)
*
Casanova
in Venice: A Raunchy Rhyme, Kildare Dobbs (8 April)
*
Questions
of Travel, Elizabeth Bishop (14 April)
*
A
Death in the Family, Karl Ove Knausgaard (17 April)
*
Falling
Out of Time, David Grossman (18 April)
*
A
Man in Love, Karl Ove Knausgaard (22 April)
*
The
Emigrants, W. G. Sebald (23 April)
*
The
Twentieth Century, Sara Haslam and Sue Asbee (24 April)
*
Boyhood
Island, Karl Ove Knausgaard (5May)
*
Dancing
at Lughnasa, Brian Friel (6 May)
*
The
Lie, Helen Dunmore (14 May)
*
Updike,
Adam Begley (5 June
* The Charlton Men, Paul Breen (7 June)
* The Charlton Men, Paul Breen (7 June)
*
The
House of Mirth, Edith Wharton (17 June)
*
Mendelssohn
is on the Roof, Jiri Weil (29 June)
*
Rattle
the Hatches, Young Foyle Poets (1 July)
*
The
Railway Man, Eric Lomax (7 July)
*
Battle
for The Valley, Rick Everitt (13 July)
*
Remarks
on Frazer’s Golden Bough, Ludwig Wittgenstein (14 July)
*
All
My Puny Sorrows, Miriam Toews (20 July)
*
The
World’s Wife, Carol Anne Duffy (30 July)
*
Crime
and Punishment, Fyodor Dostoevsky (3 August)
*
How
to Preside at Holy Communion, Charles Read (5 August)
*
Unspeakable
Things, Laurie Penny (19 August)
*
Red
or Dead, David Peace (2 September)
*
Where
The Air Is Sweet, Tasneem Jamal (21 September)
*
The
Children Act, Ian McEwan (28 September)
*
Colorless
Tskuru Tazaki And His Years of Pilgrimage, Hiruki Mirakami, (14 October)
*
Doctor
Faustus, Christopher Marlowe (22 October)
*
Lila,
Marilynne Robinson (28 October)
*
From
Conflict to Communion, Lutheran-Roman Catholic Commission on Unity (3 November)
*
Journey
by Moonlight, Antal Szerb (3 November)
*
World
Light, Haldor Laxness (26 November)
*
Light
Years, James Salter (30 November)
*
Burning
Boats: Seventeen New Zealand Short Stories, Owen Marshall (3 December)
*
The
Faber Book of Beasts, Paul Muldoon (11 December)
*
The
Honorary Gentleman, Sebastian Barry (15 December)
*
Always
Dalkey, Always the Sea, Bernie Kenny (24 December)
*
The
Pity, Judith Palmer (24 December)
*
Beautiful
Losers, Leonard Cohen (24 December)
*
Poetry
of the First World War, Marcus Clapham (27 December)
*
A
Book of Silence, Sara Maitland (31 December)
*
Reputations,
Elaine Moohan (31 December)
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